Nov 18, 2009
Are you an artist in Israel? An artist from somewhere else but visiting in Israel? Let's do some networking - email me at email@example.com and let's make a date! Romantics need not apply (I'm taken, taken, taken!!) but creatives who love to shmooz about materials, techniques, supplies, inspiration are very welcome.
Oct 18, 2009
Birds on the Wires by Jarbas Agnelli
Birds on the Wires from Jarbas Agnelli on Vimeo.
Sep 16, 2009
Sep 7, 2009
These are all about an inch and a half long (40-45 mm). In my next experiments, I'll see just how long I can make them! I'm going to aim for 5 inches. Can I get there without cracking the glass? Will I be able to handle the mandrel? All this and more to come...
Here are some of my new babies!
Jul 27, 2009
Jun 20, 2009
So here we are, one month after we start our "10 day" renovation plan. Not done yet but REALLY almost done. Most of the work left is mine, since we decided to try and save money by having me do all the painting. And cleaning. Although the crew did try to work clean, the plastic tarps didn't really do the job and we are left with a layer of dust that you can almost cross-country ski on. In spite of sounding irritable (yes, I know what I sound like) I smile every time I see the progress. It is SO EXCITING!
To try and show some of that progress, here are some before and after photos....
And just so you don't think it's all fun and games, here is some of what I get to clean up!
Next set of photos should show my new studio FINISHED!! Watch this space for inspiration :-)
May 21, 2009
On Tuesday I had a 6x10 ft balcony as my only studio space and BANG! from 9am on Wednesday, things really started happening here!
1. This used to be a narrow guest bathroom (toilet on the far end). We (and I use the term "we" loosely, because I'm hiding upstairs in my office while a bunch of young guys do all the work with some really macho, loud tools) cut out the back wall of the bathroom, removed all the plumbing fixtures and tiles and bathroom door and back window. You can see that it leads right into my balcony studio. Right behind the head of our "shiputznik" (which is Hebrew for a person, usually a guy person, who knows how to fix things) you can see another entry. That was a wall, before. Now it will be a door to another guest toilet. You've got it right - this house had too many bathrooms.
2. This used to be the extra-narrow entrance to a dark, unused bedroom. The door, which we ripped out along with a lot of the wall, used to face the door to the guest bathroom that we demolished. Inside this room is yet another door which leads to the new guest bathroom. The old door will be turned into a display niche. (I realize this might be getting confusing.) This bedroom was never slept in - we stored all our junk in it. You've guessed it - this house had too many bedrooms, too. How lucky that I need more studio space!
3. This is a hole in the wall. A new hole in the wall, that will become a stained glass window that will bring beautiful light into my new teaching studio. Because the light outside is so bright, it makes the room appear still dark and dank but believe me, it is now light-filled and cheerful and will be a great working space.
Eventually all these areas will become one space - an enclosed balcony where I do lampwork, a corridor leading from the balcony, with a guest bathroom and some display space, to a stained glass studio with special lighting, special display, and an amazing storage rack for all my glass and beads. Check back periodically to see more photos. The shiputznik (see #1) says that it will be done in 2 weeks. In Israel? Hard to believe, but I live in hope!
May 12, 2009
I must say that the photos don't really do justice to the colors and certainly don't show off the glittery silver deposits deep in the beads (silver is the main secret ingredient that makes these colors flip out like they do).
- I know that in a couple of months I'll look back at these beads and cringe but at the moment I am delighted. Working with boro felt like I was pulling toffee (or maybe tar), with a new rhythm and rules to learn.
May 6, 2009
May 2, 2009
The combination of 3 panels has more than 300 pieces, about 260 of which are in the outer border. The center panels have a lot of mirror which reflects the family portraits displayed on the opposite wall.
The piece was created specifically for this niche and the design was a joint effort between myself and the client (posing below with her new glass art). The design details were all worked out by email (lots of email), and I hope that the home owners are as pleased with the results as I am!
A special thanks to David, my beloved, for not only driving me back and forth but for standing on the ladder and holding everything in place - exactly in place - as I added the clips and screws that hold this wonder to the wall. Transporting it was nerve-wracking because of the shape (very breakable) .
Apr 16, 2009
Apr 8, 2009
Mar 12, 2009
My new shop - http://www.delphiglass.com/store/glassandlight
If you sign up for Delphi (which is a great glass supply store, by the way....) you can vote for your favorite creations. I don't know that winning means anything, or even if they'll let us know if anyone voted for us. I think that most of the people who visit the site are still glass artists. But for those of you who are not glass artists but love glass art, now is the time to visit!
Mar 8, 2009
This got me thinking about how many strange things people - people who should know better - tell us glass artists. I don't think they deliberately mislead us, I think they are passing on to us what they heard, and didn't question. Kinda like the average internet myth. My first instructor told me that to apply patina, I should leave my piece soaking in a bucket of patina over night. (Correct use: wipe it on with a cotton ball, let it sit for 10-20 minutes, and then wash it off.) My neighbor's teacher forgot to tell her that when planning her window insert, she should include a margin for the lead border. When her insert didn't fit, she was told that there was no way to repair it without completely dismantling it. She took it apart, and lost heart in her project. 2 years later, she still has no window insert. (Correct info: even after you have soldered it together, you can remove the lead border on one side, carefully measure and cut the piece, and reapply the lead border.)
So, in respose to the question about copper foil, I don't throw out old copper foil. I even save all the little bits left over from rolls, sometimes using them years later. If there are spots that have green fuzzy stuff growing on them, I throw that part out. But if it's just tarnished, the flux should clean it up as you prepare your work. To give your copper foil a longer life (and prevent those darling green fuzzys) keep it in a plastic bag like a ziplock. And don't handle your foil when your hands are wet or might have chemicals, like flux on them.
Mar 4, 2009
Mar 1, 2009
Feb 28, 2009
Feb 24, 2009
My first commission was for a family who wanted matching, but not identical, panels to commemorate 2 family members who had fallen in the wars. (One panel is shown above). I'm not sure there was any aspect of this project that wasn't challenging! They were - and remain - the largest pieces I have ever made, each about 2 meters across. Designing them was tricky - the client had a very definite idea of what he wanted - and changed his mind 4 times. In the middle of the project he changed the size, which required that I recut some of the pieces. I didn't have any place to easily store the larger pieces, and once accidentally stabbed myself in the leg with a particularly pointy piece. (I still have a scar). I didn't have a work table large enough so pieced and soldered the panels on the floor of my display room, with the door locked so that no one could enter and trip over me or step on my work-in-progress. Transporting them was the worst - we had to find a vehicle with a long cab and I prayed all the way to the framer that we wouldn't hit a pothole. Prayer was probably appropriate since they were eventually hung on a synagogue wall.
Feb 19, 2009
Curiosity was swiftly followed by incredulity, that OMG feeling. I was reading a notice that I had broken Swiss law. Fortunately, it didn't look like anyone was on their way to arrest me.
So how did I, a basically law-abiding citizen (hey, I don't even download music!) become an international criminal?
I'm in Israel. Some of my products are stained glass and fused glass pendants. I string them on a simple silver chain that I purchase from someone else. She doesn't make them, she purchases huge quantities from someone else. It's a regular food chain, and we're all happy.
Recently a very nice woman from Switzerland purchased one of my stained glass pendants from JesterJewelry, one of my Etsy stores. I shipped it to her in a small jewelry box, in a small bubble mailer, with a receipt inside. Apparently this packet was stopped in customs. The chain, just for the record, is worth about $2.
As I learned today, imports of anything made from precious metal are restricted in Switzerland. The pendant wasn't a problem. The value wasn't a problem. The $2 chain was a BIG problem. Because I didn't have a clear RM - Responsibility Mark, the equivalent of a precious metal import permit, I think - I broke the law. It doesn't matter that it was just a chain, or that I didn't make the chain, or even that this was the very first time I've had a sale to Switzerland.
The Customs lawyer sent me a longish manual for using RM's (it's not enough just to have an RM, you have to apply other notifications to it, depending on what you are sending) and encouraged me to apply for a permit or face having all future "shipments" rejected if they contain a chain. I don't know if it's hard, or expensive, to receive an RM, but I can tell you that fulfilling the requirements for marking up the items is very complicated. I know, because I read the manual.
I see myself with several choices - I can apply for an RM that I might never need, I can send the pendants without chains or with leather cord replacements, or I can refuse to sell to clients in Switzerland. No matter how I look at it, it's a pain in the butt.
I wrote up the story with a bit more technical detail for the Etsy business forum. Fellow sellers are very sympathetic, and I do appreciate that. It doesn't help me regarding the business at hand, but it's nice to know that other artists stand by me. And that they didn't know about the Swiss law, because I would have felt really dumb if everyone knew about it but me.
Do you need a copy of the Swiss import specifications for precious metals? If so, contact me through the blog with your email and I'll post it to you.
Feb 18, 2009
Today ammonite fossils can be found in many countries. Some have set them aside as a protected resource (for example, Israel) while others allow them to be harvested and sold (for example, Madagascar).
I love putting ammonites into my work for a very showy accent. I buy them halved and polished to show off their chambers. You can use ammonites, too, if you remember some simple guidelines:
Tips for glass artists
Be sure to buy from a respectable seller, or you might be buying something that was illegally harvested. You don't want to encourage crime.
If you're planning on edging your fossil with copper foil, use raw or polished ammonites. All the opalescent ammonites I purchased cracked when I applied solder.
- When planning your design, remember that you'll want to put the ammonite in from the back, flat side down, so it will be flush with the front of your work.
Feb 17, 2009
- Glass fish beads are useful for more than necklaces - you can string a copper or silver wire through them and solder the beads into your stained glass work. They also make nice dangles or decorative tails for suncatchers.
- If you're creating a glass fish and you want it (him, her?) to have a decorative tail, decorate half the bead before you start sculpting it. One of the first steps in making a fish is flattening your round bead, which is done after this decoration. Just be sure to flatten the bead so that the flattened part on the left side of the mandrel is plain, and the flattened part of the right side of the mandrel is decorated. You'll pull that decorated side into a tail, and shape the plain side into the fish head.
- If you start with a hollow bead, your fish will be a bit lighter.
Feb 16, 2009
Us fusers love using glass with dichroic coating (commonly known as dichro). Dichro is created by bombarding plates of glass with metal ions until an ultra-thin layer of metal is created on the glass surface. (Don't try this at home, folks). When the glass is moved, the angle of light changes, and the color shifts. We're not talking about dark blue to light blue, but orange to purple, blue to gold, etc. Dramatic color shifts.
Specialists who create dichro ramble on about reflected light and absorbed light. That's more technical than I can understand. I do know that when I fuse the glass, the metal melts and cools at a different rate than the glass, so the metal spreads out a bit and stands up, giving my piece the amazing illusion of 3D depth. It also heightens the color shifts.
Dichro can also be used "as-is"in stained glass, as in the panel on the right, Leaves in Her Hair. In this case there is no melting so no depth, but the color shifts are still very dramatic (as you can see) and there is an interesting metallic sheen on the glass pieces.
Tips for glass artists:
- always cut dichroic from the back. Even so, when you grind, expect some chipping of the dichro layer, so be gentle with the grinder!
- If you want to use dichro in lampworking, cut your scraps into thin strips and handle the with tweezers. Heat them slowly in the coolest part of the flame and do your best not to put the flame directly on the dichro coating, only on the back!
- an excellent source of scrap dichro: http://www.dichro-wonderglass.com/ . When you buy scraps you let them know if you need thick or thin (buy thick for stained glass, thin for fusing and lampworking), black or clear back, or specific COE's. These guys give great service!
Feb 14, 2009
I kind of want to look like this when I'm old. And if I don't stay away from the wine and chocolates, I probably will, but without the dichroic flash :-)
Feb 13, 2009
Feb 12, 2009
Feb 11, 2009
And I will also publicly admit this shocking fact: I voted for Liberman. I don't think he is a fascist - I think he has focused on an important concept that is vastly lacking in Israel, even among Jews - loyalty to our country and to our right to exist as a democratic state. I think Americans who live in the US, where people stand up for the anthem, salute the flag and recite the Pledge of Allegiance every morning as young students (with their hand over their heart, no less) can not understand the reality of living in a country where 20-25% of the population desires to see your government, and the majority of the population, destroyed and replaced with a different country with Islamic rule. Intolerant, violent Islamic rule, I might add. Imagine if 25% of the American citizens in the US supported or practiced terrorism to force collapse of the US government and turn the USA into a new, recognized province of Iran or Syria. Take a look at how the Hamas operates in Gaza and think - would you want to live there? I don't.
Living in the South of Israel, where the percentage of Arab population (to our north) and Bedouin population (to our south) is much higher than in the center of Israel, I live near towns that no Jewish Israeli in their right minds today enters - and that includes our medical services and our law enforcement agencies. Some of these areas are so dangerous that just for driving through them you can be murdered. In other areas, particularly to the south, we see wide-spread homesteading by Bedouin, an activity not legal in Israel nor tolerated when done by Jews, but ignored in the Bedouin sector for fear of inflaming them into an uprising. Unfortunately, as these "towns" spread, the crime rates in the neighboring Jewish cities rise, particularly burglary and car theft. As well, the driving practices in many parts of the south are so dangerous that serious accidents are the norm, and I've already heard more than one story of a Bedouin using his vehicle as a weapon, deliberately and repeatedly attacking a car driven by Jewish Israeli with their truck until they managed to cause a serious crash. Israel handles these as "accidents" rather than attempted murder, because its easier in the short run. In the long run, all this adds up to a lot of lawlessness that is fairly tolerated.
So I voted for Liberman, because I think that Israel has a very serious, internal problem with security and safety. I do not think that all Muslims are bad, I do not think that they should be removed from Israel if they want to live here peacefully and can accept Israel's right to exist as a democratic state, and I think that Palestinians should have their own country that they rule however they want. I just don't think that they should have all of Israel for that country, and I think that people who break the law, Jewish, Christian or Muslim, should go to jail for it, rather than have their actions tolerated or ignored - or somehow justified - because of their political or religious background. And I think that Israel, as a state, has the right and obligation to defend itself and its existence without apologizing.
If believing that Israel has the right to exist and that I have the right to live in a democratic country that is ruled by law rather than terror makes me a fascist, so be it.
Feb 8, 2009
For a while I was a full time artist, but with this GR thing I've gone back to working for someone else at least part time. (Yes, boss, I love you and I appreciate my job. I promise).
So today I'm bringing you one of my new window panels. These are installed in my house, in the entrance. Unfortunately it's not a place that gets a lot of light but they are colorful and I love them. Like all my glass art, these are OOAK (that's one-of-a-kind for you non-eBAY folks) and eventually there will be 6. Currently, top panel is a Star of David and the second panel is our house number (no, I'm not dsylexic - you're seeing it from the inside).
The next panel made will be a GOAT, in honor of our love of goats and my eldest son's job as a goatherd.
Feb 2, 2009
So there we were, David and I, having a nice conversation while returning from such a hike, (OK, he was trying to convince me to take on a huge project that would gobble up my life for the next 20 years; it's the kind of project you could only consider for love, and could only take on if you are independently wealthy, which I'm not) and I, while walking down the perimeter road of our village - the one that 2 joggers had just run down and that I had walked up with David just that morning - I noticed THIS!!!
Since it's only about 1/2 inch in diameter, and I'm over 5 feet tall and don't have the eyes of an eagle, I didn't actually see it the way you're seeing it now. But I did see that it didn't look natural. I spend a lot of time picking at things that don't look natural but are natural, as you might guess. I once even picked up some squished deer poo, which is pretty natural from close up. And the first thing I noticed about this is that it wasn't glass. But I was only dissapointed for a second - I think the entire region must have heard my screech. I think David may have feared for a moment that I'd stepped on a snake....
I've sent photos of this for identification but my best guess at the moment is Roman. A lot of those guys and gals posed for their portrait coins with decorative hair pieces and togas, while facing to the right. Although I've searched, I haven't found anything like the back of the coin (not posted here), so I'm not sure exactly what I've got but, by golly, I AM EXCITED!!
Jan 31, 2009
This particular suncatcher has a piece of raw rose quartz in the center. For those of you who follow crystals, I've heard that rose quartz promotes love and harmony in the home.
Wishing us all pleasant, sunny days and rainy nights - we do need that rain - I"m heading out to the garden.....
Jan 30, 2009
Jan 29, 2009
The box I finished today has a wooden floor, cut from a wine crate, clear sides and tops and a really cool design in the lid with a lot of smooth curves. The lid has 2 doors that open from the center. I did it in clear glass so we can see the winery's logo burned into the wood. I treated it all with a nice copper patina.
Jan 28, 2009
This is just a brief update regarding current projects - I've been invited by a local, boutique winery to create lampwork necklaces from their used wine bottles. They'll show - and sell - the necklaces in their Visitor Center. I've decided to prepare 4 necklaces and a stained glass display box. I'm in the middle of this project so no photos of it yet, but I'm adding a photo of some beads I made from another wine bottle. I started making beads from bottles with ecology in mind - there is so much glass around, I believe it would be criminal not to recycle it. And what better way than to turn it in to durable, wearable, beautiful art?!
Have you noticed? It seems like most wine bottles come in different colors. The beads in the photo that I'm adding to the blog are from a very dark bottle and decorated with a bit of paladium leaf. From now on, when you buy wine, don't just look at the price or the wine, take a look at the color of the bottle, too!
Are you interested in lampworking with old bottles? Let me know and I'll post some tips and tricks. Harvesting the glass is a big part of the effort, so you need to be prepared to invest some time.